Jumpin' At The Border

Jumpin' At The Border (Josh Workman's original 6/8 minor blues reflects influences of swing, bebop, blues and world music)

Sippin'at Bell's (Miles Davis' bebop-blues first recorded by Charlie Parker)

Andre De Sapato Novo (example of choro writing of Brazilian mandolin master Jacob do Bandolim)

Monkish (Josh Workman original written in honor of Thelonious Monk)

Autumn Nocturne (popularized by Claude Thornhhill's Orchestra during the swing era, also heard on guitarist Billy Butler's 1970 album "Nightlife")

The Sweetest Sounds (feeling reminiscent of classic Blue Note era and John Coltrane's Atlantic and Impulse years)

No Me Platiques Mas (reminiscent of the 1960s bolero style of Chilean-born tenor Lucho Gattica)

Ow! (Dizzy wrote this tune over "I've Got Rhythm" chord changes)

I Can't Face The Music/I Want A Little Boy (the first song was recorded by Mildred Bailey, Billie Holiday and Ella Fitzgerald, who also recorded the second one)

Nono (U.S. Debut on the 1953 "Braziliance" album by Brazilian guitarist Laurindo Almeida and American saxophonist Bud Shank)