сборник - Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

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Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

James Friskin, Johann Sebastian Bach

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Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)

James Friskin, Johann Sebastian Bach

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Italian Concerto, BWV971: i. Allegro

James Friskin, Johann Sebastian Bach

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Italian Concerto, BWV971: ii. Andante

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Italian Concerto, BWV971: iii. Presto

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione

James Friskin, Johann Sebastian Bach

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Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin

James Friskin, Johann Sebastian Bach

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Toccata in C Minor, BWV911

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French Suite No. 3 in B Minor BWV814: i. Allemande

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French Suite No. 3 in B Minor BWV814: ii. Courante

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French Suite No. 3 in B Minor BWV814: iii. Sarabande

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French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio

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French Suite No. 3 in B Minor BWV814: v. Gavotte

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French Suite No. 3 in B Minor BWV814: vi. Gigue

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French Suite No. 4 in E-flat Major, BWV815: i. Allemande

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French Suite No. 4 in E-flat Major, BWV815: ii. Courante

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French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande

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French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte

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French Suite No. 4 in E-flat Major, BWV815: v. Air

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French Suite No. 4 in E-flat Major, BWV815: vi. Menuet

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French Suite No. 4 in E-flat Major, BWV815: vii. Gigue

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

Choir Of The Bach Guild, Felix Prohaska, Orchestra Of The Bach Guild, Johann Sebastian Bach

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

Alfred Uhl, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

Anny Felbermeyer, Hans Braun, Felix Prohaska, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Johann Sebastian Bach

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

Hans Braun, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

Anny Felbermeyer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

Alfred Uhl, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

Choir Of The Bach Guild, Felix Prohaska, Orchestra Of The Bach Guild, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

Hans Braun, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

Anny Felbermeyer, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Alfred Uhl, Felix Prohaska, Johann Sebastian Bach

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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

Choir Of The Bach Guild, Felix Prohaska, Orchestra Of The Bach Guild, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

Vienna State Opera Orchestra, Vienna Chamber Choir, Michael Gielen, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

Harald Hermann, Vienna Chamber Choir, Michael Gielen, Vienna State Opera Orchestra, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

Margit Opawsky, Michael Gielen, Vienna State Opera Orchestra, Vienna Chamber Choir, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

Hilde Rossl-Majdan, Vienna Chamber Choir, Vienna State Opera Orchestra, Michael Gielen, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir, Michael Gielen, Johann Sebastian Bach

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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

Vienna State Opera Orchestra, Michael Gielen, Vienna Chamber Choir, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

Vienna State Opera Orchestra, Michael Gielen, Vienna Chamber Choir, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

Hilde Rossl-Majdan, Michael Gielen, Vienna State Opera Orchestra, Vienna Chamber Choir, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

Waldemar Kmett, Vienna State Opera Orchestra, Vienna Chamber Choir, Michael Gielen, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

VMargit Opawsky, ienna State Opera Orchestra, Michael Gielen, Vienna Chamber Choir, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir, Michael Gielen, Johann Sebastian Bach

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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

Vienna State Opera Orchestra, Michael Gielen, Vienna Chamber Choir, Johann Sebastian Bach

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Magnificat in D, BWV243: i. Coro: Magnificat anima mea

Vienna State Opera Orchestra, Felix Prohaska, Vienna Chamber Choir, Johann Sebastian Bach

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Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

Margaret Sjöstedt, Vienna State Opera Orchestra, Vienna Chamber Choir, Felix Prohaska, Johann Sebastian Bach

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Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

Mimi Coertse, Vienna Chamber Choir, Vienna State Opera Orchestra, Felix Prohaska, Johann Sebastian Bach

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Magnificat in D, BWV243: iv. Coro: Omnes generationes

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Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

Frederic Guthrie, Vienna Chamber Choir, Vienna State Opera Orchestra, Felix Prohaska, Johann Sebastian Bach

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Magnificat in D, BWV243: vi. Duetto: Et misericordia

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Magnificat in D, BWV243: vii. Coro: Fecit potentiam

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Magnificat in D, BWV243: viii. Aria: Deposuit potentes

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Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

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Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

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Magnificat in D, BWV243: xi. Coro: Sicut locutus est

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Magnificat in D, BWV243: xii. Coro: Gloria Patri

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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

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No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

James Buswell, Fernando Valenti, Johann Sebastian Bach

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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

James Buswell, Fernando Valenti, Johann Sebastian Bach

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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

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Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Hans Braun, Boys Choir of the Schottenstift, Vienna Chamber Choir, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

Chamber Orchestra of Vienna State Opera, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

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Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

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Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

Uno Ebrelius, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

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Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

Uno Ebrelius, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

Chamber Orchestra of Vienna State Opera, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

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Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

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Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

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Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

Uno Ebrelius, Mogens Woldike, Waldemar Kmentt, Boys Choir of the Schottenstift, Anton Heiller, Vienna Chamber Choir, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir

U Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, W Kmentt, F Kummer, Vienna Chamber Choir, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

Theresa Stich-Randall, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

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Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

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Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

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Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

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Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

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Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

Uno Ebrelius, Mogens Woldike, Boys Choir of the Schottenstift, Anton Heiller, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

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Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

5:50

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Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Hans Braun, Boys Choir of the Schottenstift, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

0:50

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Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:23

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Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

6:05

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Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

1:19

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Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

Chamber Orchestra of Vienna State Opera, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

1:23

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Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Friedl Kummer, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

2:31

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Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

Theresa Stich-Randall, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

5:24

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Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

Hilde Rossl-Majdan, Vienna Chamber Choir, Mogens Woldike, Hans Braun, Chamber Orchestra of Vienna State Opera, Uno Ebrelius, Johann Sebastian Bach

Bigger Bach Set

2:24

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Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

Chamber Orchestra of Vienna State Opera, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

9:15

cover

Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

Hilde Rossl-Majdan, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

4:57

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Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

Uno Ebrelius, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:09

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Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

0:59

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Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Anton Heiller, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:20

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Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

Waldemar Kmentt, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:19

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Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

Waldemar Kmentt, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

4:24

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Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig

Uno Ebrelius, Anton Heiller, Chamber Orchestra of Vienna State Opera, Hans Braun, Boys Choir of the Schottenstift, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

1:42

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Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

Uno Ebrelius, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

0:43

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Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Anton Heiller, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:01

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Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen

Uno Ebrelius, Mogens Woldike, Boys Choir of the Schottenstift, Anton Heiller, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

1:19

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Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

Waldemar Kmentt, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

1:15

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Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

Hilde Rossl-Majdan, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

7:51

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Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

1:14

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Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an

Uno Ebrelius, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Friedl Kummer, Johann Sebastian Bach

Bigger Bach Set

1:13

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Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

Uno Ebrelius, Vienna Chamber Choir, Mogens Woldike, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

0:51

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Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

3:48

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Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

Uno Ebrelius, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

2:23

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Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

Chamber Orchestra of Vienna State Opera, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

1:20

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Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

2:44

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Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

0:58

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Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

0:16

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Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

1:27

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Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

Theresa Stich-Randall, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

5:49

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Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los

Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

2:24

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Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

1:21

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Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

Hilde Rossl-Majdan, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

8:11

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Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig

Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

1:21

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Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

2:46

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Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Johann Sebastian Bach

Bigger Bach Set

0:55

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Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

Chamber Orchestra of Vienna State Opera, Anton Heiller, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

0:38

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Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

6:55

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Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Anton Heiller, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

3:44

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Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen

Uno Ebrelius, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

0:18

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Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

Hilde Rossl-Majdan, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

2:06

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Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

3:44

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Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee

Uno Ebrelius, Anton Heiller, Chamber Orchestra of Vienna State Opera, Hans Braun, Boys Choir of the Schottenstift, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

2:19

cover

Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

1:52

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Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

2:45

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Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

2:25

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Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

8:03

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Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen

Uno Ebrelius, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift, Johann Sebastian Bach

Bigger Bach Set

2:59

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Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

T Stich-Randall, Cham Orch of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, W Kmentt, Vienna Chamber Choir, Johann Sebastian Bach

Bigger Bach Set

2:22

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Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder

Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike, Johann Sebastian Bach

Bigger Bach Set

7:03

cover

Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

4:17

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Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

Bigger Bach Set

3:12

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Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

4:57

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Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

3:30

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Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

Bigger Bach Set

4:21

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Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

4:28

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Partita in A Minor for Solo Flute, BWV 1013: i. Allemande

Paula Robison, Johann Sebastian Bach

Bigger Bach Set

3:17

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Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

Paula Robison, Johann Sebastian Bach

Bigger Bach Set

3:37

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Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande

Paula Robison, Johann Sebastian Bach

Bigger Bach Set

4:11

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Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise

Paula Robison, Johann Sebastian Bach

Bigger Bach Set

2:41

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Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

3:55

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Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

Bigger Bach Set

4:42

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Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

2:43

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Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

Bigger Bach Set

3:03

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Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

3:27

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Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

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3:16

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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

4:08

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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

Bigger Bach Set

3:32

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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

Paula Robison, Timothy Eddy, Kenneth Cooper, Johann Sebastian Bach

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2:32

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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

Paula Robison, Kenneth Cooper, Timothy Eddy, Johann Sebastian Bach

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2:33

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

Anny Felbermayer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

6:11

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

Anny Felbermayer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

0:31

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

Anny Felbermayer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

3:59

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen

Anny Felbermayer, Felix Prohaska, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

0:45

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

Anny Felbermayer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

2:48

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

Anny Felbermayer, Felix Prohaska, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

0:52

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen

Anny Felbermayer, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Felix Prohaska, Johann Sebastian Bach

Bigger Bach Set

4:33

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe

Anny Felbermayer, Felix Prohaska, Choir Of The Bach Guild, Orchestra Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

0:29

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage

Anny Felbermayer, Orchestra Of The Bach Guild, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

Bigger Bach Set

1:53

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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor

Theresa Stich-Randall, Helmut Wobisch, Rudolf Streng, Josef Nebois, Vienna State Opera Orchestra, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

7:02

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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore

Theresa Stich-Randall, Anton Heiller, Wilhelm Hubner, Rudolf Streng, Helmut Wobisch, Vienna State Opera Orchestra, Johann Sebastian Bach

Bigger Bach Set

1:25

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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore

Theresa Stich-Randall, Anton Heiller, Wilhelm Hubner, Helmut Wobisch, Vienna State Opera Orchestra, Rudolf Streng, Johann Sebastian Bach

Bigger Bach Set

9:54

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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta

Theresa Stich-Randall, Rudolf Streng, Josef Nebois, Vienna State Opera Orchestra, Wilhelm Hubner, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

0:38

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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento

Theresa Stich-Randall, Josef Nebois, Wilhelm Hubner, Vienna State Opera Orchestra, Anton Heiller, Helmut Wobisch, Johann Sebastian Bach

Bigger Bach Set

6:12

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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!

Theresa Stich-Randall, Anton Heiller, Wilhelm Hubner, Helmut Wobisch, Vienna State Opera Orchestra, Rudolf Streng, Johann Sebastian Bach

Bigger Bach Set

5:09

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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an

Theresa Stich-Randall, Helmut Wobisch, Rudolf Streng, Josef Nebois, Vienna State Opera Orchestra, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

2:55

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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte

VTheresa Stich-Randall, Josef Nebois, ienna State Opera Orchestra, Wilhelm Hubner, Rudolf Streng, Anton Heiller, Johann Sebastian Bach

Bigger Bach Set

5:10

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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia

Theresa Stich-Randall, Josef Nebois, Wilhelm Hubner, Vienna State Opera Orchestra, Anton Heiller, Helmut Wobisch, Johann Sebastian Bach

Bigger Bach Set

6:12

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott

English Chamber Orchestra, Amor Artis Chorale, Johannes Somary, Johann Sebastian Bach

Bigger Bach Set

6:38

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren

Felicity Palmer, Johannes Somary, Amor Artis Chorale, English Chamber Orchestra, Michael Rippon, Johann Sebastian Bach

Bigger Bach Set

4:06

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes

Michael Rippon, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary, Johann Sebastian Bach

Bigger Bach Set

2:25

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus

Felicity Palmer, Johannes Somary, Amor Artis Chorale, English Chamber Orchestra, Johann Sebastian Bach

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär

English Chamber Orchestra, Johannes Somary, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne

Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen

Helen Watts, Johannes Somary, Amor Artis Chorale, English Chamber Orchestra, Robert Tear, Johann Sebastian Bach

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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn

English Chamber Orchestra, Amor Artis Chorale, Johannes Somary, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen

English Chamber Orchestra, Johannes Somary, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf

Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah?

English Chamber Orchestra, Johannes Somary, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben

Michael Rippon, Johannes Somary, English Chamber Orchestra, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends

Helen Watts, Robert Tear, Amor Artis Chorale, Michael Rippon, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir

English Chamber Orchestra, Amor Artis Chorale, Johannes Somary, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren

Robert Tear, Johannes Somary, Amor Artis Chorale, English Chamber Orchestra, Michael Rippon, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück

Felicity Palmer, Johannes Somary, English Chamber Orchestra, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an

Robert Tear, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke

Felicity Palmer, Johannes Somary, English Chamber Orchestra, Amor Artis Chorale, Johann Sebastian Bach

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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen

English Chamber Orchestra, Amor Artis Chorale, Johannes Somary, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)

James Friskin, Johann Sebastian Bach

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James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.)

James Friskin, Johann Sebastian Bach

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James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.)

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.)

James Friskin, Johann Sebastian Bach

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James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31

James Friskin, Johann Sebastian Bach

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Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo

James Friskin, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia

Akademie Choir, Vienna Chamber Orchestra, Felix Prohaska, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio

Akademie Choir, Vienna Chamber Orchestra, Felix Prohaska, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe

Kurt Equiluz, Walter Berry, Akademie Choir, Felix Prohaska, Vienna Chamber Orchestra, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn

Hilde Rossl-Majdan, Walter Berry, Akademie Choir, Felix Prohaska, Kurt Equiluz, Vienna Chamber Orchestra, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien

Maja Weis-Osborn, Felix Prohaska, Vienna Chamber Orchestra, Akademie Choir, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft

Kurt Equiluz, Hilde Rossl-Majdan, Vienna Chamber Orchestra, Felix Prohaska, Walter Berry, Akademie Choir, Johann Sebastian Bach

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263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer

Kurt Equiluz, Felix Prohaska, Akademie Choir, Vienna Chamber Orchestra, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir

Maja Weis-Osborn, Vienna Chamber Orchestra, Hilde Rossl-Majdan, Akademie Choir, Felix Prohaska, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde

Hilde Rossl-Majdan, Felix Prohaska, Vienna Chamber Orchestra, Akademie Choir, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut

Walter Berry, Akademie Choir, Felix Prohaska, Vienna Chamber Orchestra, Johann Sebastian Bach

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank

Akademie Choir, Vienna Chamber Orchestra, Felix Prohaska, Johann Sebastian Bach

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Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50

Orchestra Of The Vienna State Opera, Felix Prohaska, Choir of the Vienna State Opera, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!

Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder

Norman Foster, Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag

Erika Wien, Choir Of The Bach Guild, Vienna State Opera Orchestra, Felix Prohaska, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen

Hugo Meyer-Welfing, Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen

Anny Felbermayer, Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte

Hugo Meyer-Welfing, Felix Prohaska, Choir Of The Bach Guild, Vienna State Opera Orchestra, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele

Vienna State Opera Orchestra, State Opera Orchestra, Felix Prohaska* <conductor>Vienna, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor

Hugo Meyer-Welfing, Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag

Norman Foster, Felix Prohaska, Choir Of The Bach Guild, Vienna State Opera Orchestra, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag

Norman Foster, Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht

Vienna State Opera Orchestra, Felix Prohaska, Choir Of The Bach Guild, Johann Sebastian Bach

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Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde"

Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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Passion According to St. John, BWV245: Aria, “Est ist vollbracht"

Maureen Forrester, Antonio Janigro, I Solisti Di Zagreb, Johann Sebastian Bach

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6:50

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Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde"

Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland"

Maureen Forrester, Antonio Janigro, I Solisti Di Zagreb, Johann Sebastian Bach

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Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'

Maureen Forrester, Antonio Janigro, I Solisti Di Zagreb, Johann Sebastian Bach

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Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden"

Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut"

Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion"

Maureen Forrester, Antonio Janigro, I Solisti Di Zagreb, Johann Sebastian Bach

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia

Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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7:29

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben

Maureen Forrester, Antonio Janigro, Anton Heiller, I Solisti Di Zagreb, Johann Sebastian Bach

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2:26

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes?

Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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1:00

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt

Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro, Anton Heiller, Johann Sebastian Bach

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5:32

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei

Maureen Forrester, Antonio Janigro, Anton Heiller, I Solisti Di Zagreb, Johann Sebastian Bach

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0:31

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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst

Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro, Johann Sebastian Bach

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1:03