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Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach - Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf

Robert Tear

Amor Artis Chorale

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Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

James Friskin, Johann Sebastian Bach

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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

James Friskin, Johann Sebastian Bach

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Vanguard Classics

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Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach

Robert Tear, Amor Artis Chorale, Johannes Somary, English Chamber Orchestra, Johann Sebastian Bach - Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf

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