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Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affettuoso (Arr. Papalin for Recorder Ensemble)

Johann Sebastian Bach

Papalin

Johann Sebastian Bach, Papalin

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Capriccio in B-Flat Major, BWV 992: 1. Arioso: Adagio. Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (Arr. Papalin for Recorders)

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Capriccio in B-Flat Major, BWV 992: 2. Andante. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten vorfallen (Arr. Papalin for Recorders)

Johann Sebastian Bach, Papalin

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Capriccio in B-Flat Major, BWV 992: 3. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (Arr. Papalin for Recorders)

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The Art of Papalin: Various Works Arranged for Voices and Recorders: Part III

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Capriccio in B-Flat Major, BWV 992: 4. Andante con moto. Allhier kommen die Freunde, weil sie doch sehen, dass es anders nicht sein kann, und nehmen Abschied (Arr. Papalin for Recorders)

Johann Sebastian Bach, Papalin

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Capriccio in B-Flat Major, BWV 992: 5. Aria di Postiglione: Allegro poco (Arr. Papalin for Recorders)

Johann Sebastian Bach, Papalin

The Art of Papalin: Various Works Arranged for Voices and Recorders: Part III

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Capriccio in B-Flat Major, BWV 992: 6. Fuga all' imitazione die Posta (Arr. Papalin for Recorders)

Johann Sebastian Bach, Papalin

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Brandenburg Concerto No. 2 in F Major, BWV 1047: 1. Allegro (Arr. Papalin for Recorder Ensemble)

Johann Sebastian Bach, Papalin

The Art of Papalin: Various Works Arranged for Voices and Recorders: Part III

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Brandenburg Concerto No. 2 in F Major, BWV 1047: 2. Andante (Arr. Papalin for Recorder Ensemble)

Johann Sebastian Bach, Papalin

The Art of Papalin: Various Works Arranged for Voices and Recorders: Part III

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Brandenburg Concerto No. 2 in F Major, BWV 1047: 3. Allegro assai (Arr. Papalin for Recorder Ensemble)

Johann Sebastian Bach, Papalin

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Johann Sebastian Bach, Papalin

Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affettuoso (Arr. Papalin for Recorder Ensemble)

Другие треки альбома The Art of Papalin: Various Works Arranged for Voices and Recorders: Part III

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